潇洒先生（国语版）

　　本片描述一名曾经在白人和红人社会出生入死多次的人瑞回忆他的一生经历，从一个侧面反映了美国西部开拓时期的一页血与泪的历史。本片是这红人翻案的反传统西部片，内容和构想都处理得颇具新意，每一段情节都具有相当高的趣味性。达斯廷．霍夫曼在片中从十几岁演到一百二十岁，是演技上的一大突破，另外马丁．巴山姆、费伊．达纳韦等演员的表演也不落俗套。

　　潮州姑娘李嘉玲（吴君如 饰）拥有特异功能，她经常帮助邻里乡亲解决各种疑难问题，在乡村野里颇有名气。某天她被高官以游客的身份派往九龙执行一项秘密任务，她所乘坐的巴士因司机招惹了孤魂野鬼而遭到报复，车毁人亡。鬼魂纷纷钻入死者体内，唯嘉玲一息尚存幸免遇难。众鬼连同嘉玲乘车继续向九龙前进。
　　计划与嘉玲接头的一眉道长（林正英 饰）路遇众鬼所乘之车，情知不好，尾随跟踪，终与嘉玲接头。道长告诫她和其他旅客下榻的宾馆有鬼，嘉玲始终不信，直到……

一个沉默寡言的老人和一个机灵搞怪的小男孩意外互换灵魂之后，共同踏上寻亲之旅，一路经历欢笑与泪水，最终蜕变成长的温馨故事。影片细致体现了江南特有的温婉清雅的风景，朴素真淳的民俗文化，以及最简单温暖人心的质朴情感，“用心关爱老人，用爱陪伴儿童”的价值观将为观众带去一道清风，在笑声中体会生活的美好，在流泪时感悟亲情的珍贵……

乔尔和雷吉斯是一对同父异母的兄弟，他们彼此并不了解，两个人唯一的共同点是有同一个父亲。 乔尔是个黑人，他处于失业中，学历也不高。他认为法国是一个有种族歧视的国家，并且把找工作失败、穷到连公交车票都买不起的责任全都推给自己的黑人血统。 雷吉斯则完全和乔尔相反，正因如此，他并不承认自己身上有一半黑人血统

　　《东北插班生》讲述了东北黑道之子王虎转学到台湾一所问题高中，无意间撞坏高校总长交接仪式，得罪台北高校老大，而由于王虎个性鲜明及南北文化差异，东北热血少年与台湾艋舺少年之间碰撞出一系列爆笑故事。影片以南北少年间文化冲突为主线，抓取典型场景，表现东北扛把子与台北艋舺少年间难以调和矛盾的同时，在打闹中又把双方惺惺相惜的热血气表现的淋漓尽致。导演起承转合间便将兄弟义气倾泻而出，而这热血情义也猝不及防的唤起了受众遥远的青春记忆。

一位运气很衰的演员，在一天内见证了所住的破公寓“杀害”了的n条性命。陪他一起的还有一位创作剧本的朋友，他们希望共同筹划出一部自己出演的理想剧本。二人为了解决当前的窘境，试图圆回公寓内的命案让别人相信这是一场偶然，却越弄越糟。但他们最后发现，也许人们最愿意相信的、最能理解的并不一定是事情最可能发生的结局。与其重写这一天——试图按照所有人理解的那样——不如把自己身上发生的、难以置信的事，如数搬上荧幕，真正出演一部有我出境的影片。

　　影片《不做有钱人》通过讲述男主人翁有财家庭富庶，在奶奶的庇护下过着衣来伸手饭来张口生活，但这一切并不是有财想要的生活，他为了追逐自强自立的生活，鼓起勇气从家里逃了出来，却不慎被正在和闺蜜苏冉练车的超市员工丁珰撞倒在地并失忆。
　　有财由于从家中出走匆忙，身无分文，也没带身份证明，丁珰只好让有财到家中暂住。在一次丁珰被追求者纠缠的时候有财挺身而出，打坏超市商品无力赔偿而被留在超市打工。在丁珰和超市老板浩哥的帮助下，他开始领悟到生活的真谛。同时善良可爱的丁珰让他产生了好感，经历了很多啼笑皆非的事情之后，有财终于拿着通过自己的努力挣得的人生第一笔收入买的小戒指向丁珰表白爱意。
　　影片反应了当代青年积极进取的精神，不想依靠祖辈的余荫而希望用自己的双手来创造和收获幸福，并告诉观众只要你肯努力，不一味的享受物质生活，随着自己的意愿努力进取，不忘初心就一定能寻找到属于自己的一份天地和收获真爱！

　　Antonio 跟 Paolo 同居於柏林，生活美滿，兩人決定結束愛情長跑，結婚共渡餘生，不過他們其中一個還未向親友出櫃、另一個則跟媽媽再沒往來。為了得到家人的祝福，他們只好飛返意大利家鄉宣告婚事，同行的還有他們的喪爆房東和室友。一趟意大利旅程，引發軒然大波！七國咁亂，難關重重，要怎樣才能成就百年好合的幸福終局？改編自2003年首演的外百老匯同名音樂劇，浪漫惹笑，勇奪意大利票房佳績，笑爆戲院，叫好叫座。

　　叙述朱总管和方菲丽与谢律师三人勾结物色女子张美红充冒富翁徐惠堂之女徐琪设计谋财的经过情形。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　李泽街（冯德伦 饰）是一位大学新鲜人，新的校园，新的同学，李泽街的未来似乎在闪闪发光。李泽街有一个交往了七年的青梅竹马吴淑德（张绮桐 饰），但由于后者生性老实保守，两人直到今日还未曾有过肌肤之亲，这令血气方刚的李泽街感到十分郁闷，对待淑德的态度也日益冷淡。
　　在学校里，李泽街结识了名为梁爱诗（吴文忻 饰）的美丽少女，爱诗热情又奔放，很快，李泽街便与其打得火热，两人陷入爱欲的漩涡中无法自拔。没过多久，李泽街脚踏两只船的事迹便被爱诗和淑德识破了，愤怒的爱诗提出了分手，淑德亦与李泽街渐行渐远。之后，李泽街偶遇了性感美艳的美女老师索菲亚（钟丽缇 饰），一段全新的关系就此展开。