关于法拉利的纪录片。聚焦50年代在刀刃上争分夺秒的F1时代，真实记录了恩佐领导下的法拉利车队内部故事，法拉利车迷冬歇期不可多得的福利。
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
《美人计》是一部纪录片，讲述了丹尼斯·卡斯珀特（又名德索·道格）从臭名昭著的德国说唱歌手到ISIS招募员的历程。导演克里斯·穆卡贝尔（执导过《密码》、《Gaga Five Foot Two》）讲述了一个出人意料的故事，层层交织，涵盖了阿拉伯/穆斯林群体的代表性，以及好莱坞电影公司与美国军方之间的循环关系。影片探讨了宣传、招募和娱乐文化的软实力，并穿插了卡斯珀特与负责调查他的FBI翻译之间的一段恋情。
暂无简介
这部纪录片深度剖析了关于尼安德特人的谜团，根据化石记录讲述了他们的生活以及灭绝的原因。
